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<TD>Date: Thursday, Apr 13 2017, 2:48pm<BR>
Full event listing at <a href="http://www.indymedia.ie/events">www.indymedia.ie/events</a><BR></TD>
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<H2><a href="http://www.indymedia.ie/article/106113">Screening of 'Reaching for the Moon' (2013)</a></H2>
Dublin | Arts and Media | By Dublin Film Qlub <h4>Event Time: Saturday, Apr 15 2017</h4>
<P><br />
Season 7 of the Dublin Film Qlub, 'ADAPTATIONS’, continues with...</P><P>........<br />
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REACHING FOR THE MOON <br />
=adaptation of the biographical novel Rare and Commonplace Flowers, <br />
by Carme Oliveira, of 2001=<br />
<br />
(Dir. Bruno Barretto, 2013)<br />
English<br />
cast: Miranda Otto, Gloria Pires, Tracy Middendoft<br />
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………………………………………………………<br />
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Saturday 15 April 2017<br />
2:30 pm.<br />
(doors open at 2pm)<br />
The New Theatre<br />
Temple Bar<br />
Dublin 2<br />
Day Membership: €8<br />
(free tea, coffee, and biscuits)<br />
<br />
Inline image 1<br />
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“This book is based on real and written testimony. Any resemblance with persons living or dead is intentional.”<br />
---Carme Oliveira, in the opening page of Rare and Commonplace Flowers (2001)<br />
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The film is adapted from Carme Oliveira’s accomplished biographical novel 'Rare and Commonplace Flowers', about the pulitzer-winning american poet Elizabeth Bishop and her partner of sixteen years, the Brazilian powerhouse architect and planner Lota de Macedo Soares. Bruno Barreto, a Brazilian director with a Hollywood sensibility, was contacted by the producers and handed the book, but he did not find it interesting enough, until he realised he could organise the material around a triangular relationship barely hinted at in the original text. Mary Morse, Lota’s ex-partner, gets about ten lines in the book, but Barreto created whole scenes for her, and gave her a pivotal role in plot developments. <br />
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Lota was part of the intellectual, artistic, and economic elite in Brazil of the mid-20th century, a gregarious and confident woman, and she offered the introverted, insecure, and alcoholic poet a safeconduct into another kind of life. Lota also built a stunning studio for Bishop, next to her own experimental modernist house on the edge of the jungle, and ‘Dona Elisabetchy’ wrote some of her best work there. Lota’s all-consuming creative energy and Bishop’s regular shipwreck-in-a-bottle setbacks, meant that the couple was constantly under pressure. <br />
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But the destructive relationship that finally shook up the two women, was Lota’s doomed affair with Flamingo Park, a pharaonic project to create the best park in history, in Rio de Janeiro. Lota conceived and directed the plans to turn a rubble dump into a park with a ‘City of Children’, a ring for model airplanes, a dance-floor, a puppet theatre, art and education pavilions, sports fields, and a beach. She fought bureaucrats and politicians like a lioness to upheld her utopian vision, as the book minutely records (without ever getting dull). Instead of this background, the film presents Bishop as Lota’s doomed once-in-a-lifetime project, and spices the story up with a few ‘hot’ scenes (absent from the book), cliched shots, and a bland sell-able title. And yet, the plot works, the actors shine, the cinematography breathes, and enough goodness remains to leave you in awe of these two women and their achievements.<br />
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© Dublin Film Qlub 2017<br />
<br />
You are welcome to reproduce this material, but we request that you acknowledge the source.<br />
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Dublin Film Qlub<br />
<a href="http://www.filmqlub.com" title="http://www.filmqlub.com">http://www.filmqlub.com</a></P>
<p><small>posted on: Saturday, Apr 1 2017, 12:25pm</small></p>
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