no events posted in last week
Interested in maladministration. Estd. 2005
Formal complaint against Robert Watt Anthony
RTE bias complaint Anthony
Fergus Finlay and the maternity hospital ‘gotcha’ trap Anthony
Irish Examiner and fake news Anthony
Labour Party: The unvarnished truth Anthony
Public Inquiry >>
A Blog About Human Rights
UN human rights chief calls for priority action ahead of climate summit Sat Oct 30, 2021 17:18 | Human Rights
5 Year Anniversary Of Kem Ley?s Death Sun Jul 11, 2021 12:34 | Human Rights
Poor Living Conditions for Migrants in Southern Italy Mon Jan 18, 2021 10:14 | Human Rights
Right to Water Mon Aug 03, 2020 19:13 | Human Rights
Human Rights Fri Mar 20, 2020 16:33 | Human Rights
Human Rights in Ireland >>
Face Masks and Social Distancing Return to Hospitals and Visitor Bans Are Threatened Wed Oct 05, 2022 17:33 | Will Jones
At least five NHS trusts in England have brought back mask requirements due to Covid's autumn resurgence and some are also reimposing social distancing guidelines with threats of visitor bans to come.
The post Face Masks and Social Distancing Return to Hospitals and Visitor Bans Are Threatened appeared first on The Daily Sceptic.
The NHS is in Crisis Every Winter. Will Thérèse Coffey?s Plan Save it This Time? Wed Oct 05, 2022 15:53 | Dr Carl Heneghan and Dr Tom Jefferson
The NHS is in a perpetual winter crisis, something that more than doubling the budget in the 2000s did nothing to change. With beds already 95% occupied, will Therese Coffey's plan to get us through the winter work?
The post The NHS is in Crisis Every Winter. Will Thérèse Coffey’s Plan Save it This Time? appeared first on The Daily Sceptic.
U.S. Public Opinion on the War in Ukraine Wed Oct 05, 2022 13:00 | Noah Carl
A recent poll asked Americans what is the most important issue facing the country. "Inflation" was the top answer, chosen by 27% of respondents. "Russia/Ukraine" came second to last, chosen by only 2% of respondents.
The post U.S. Public Opinion on the War in Ukraine appeared first on The Daily Sceptic.
Police Force Entry into Journalist?s Home, Arrest Her and Put Her in a Cell for Allegedly Writing ?I... Wed Oct 05, 2022 11:00 | Will Jones
Police officers arrested journalist Caroline Farrow after she was reported for allegedly posting a ?grossly offensive message?. They forced entry into her home, seized her electronic devices and put her in a cell.
The post Police Force Entry into Journalist’s Home, Arrest Her and Put Her in a Cell for Allegedly Writing “Insulting Messages” on Internet appeared first on The Daily Sceptic.
U.K. ?Climate? Aid Money Paying for Gender ?Revision? Lessons for Mexican Coffee Growers Wed Oct 05, 2022 09:00 | Chris Morrison
Why is UK 'climate' aid money being spent on lessons on the "complete revision of the concepts of gender? among Mexican coffee growers?
The post U.K. ‘Climate’ Aid Money Paying for Gender “Revision” Lessons for Mexican Coffee Growers appeared first on The Daily Sceptic.
Lockdown Skeptics >>
Voltaire, international edition
American-Chinese rivalry in the metaverse Tue Oct 04, 2022 16:41 | en
The United States declares war on Russia, Germany, the Netherlands and France, b... Tue Oct 04, 2022 07:00 | en
Vladimir Putin at Together For Ever Concert , by Vladimir Putin Fri Sep 30, 2022 07:46 | en
US government instructs its nationals to leave Russia immediately Thu Sep 29, 2022 06:50 | en
Donbass and part of Novorossia aspire to join Russia Wed Sep 28, 2022 15:29 | en
Voltaire Network >>
Skellig Michael: The Denial of History as State Policy
Monday November 06, 2006 14:02 by Hanshiro - The Tara Foundation thetarafoundation at yahoo dot ie
The Skelligs Rocks, 8 miles off the coast of Co. Kerry, constitute one of only two UNESCO World Heritage Sites in Ireland. However, the Office of Public Works (OPW) is currently engaged in reconstruction work there. On the South Peak of Skellig Michael, an altar, dating probably to the ninth century, has been destroyed by unsupervised workmen. In addition, there has been extensive rebuilding carried out on the main complex, which has led to considerable damage to the original structures. The work has proceeded without an Environmental Impact Assessment; while the Department of the Environment and OPW have argued that, because the Skelligs are a national monument (thus covered by the National Monuments Act 2004) and because the current work is part of an ongoing programme of conservation dating back to the 1980’s, neither an EIA nor planning permission is necessary.
According to UNESCO guidelines, a Management Plan for each World Heritage Site must be submitted, and made available in published form, to direct the management of the site and any preservation work deemed to be necessary. A “management strategy” was submitted to UNESCO at the time the Skelligs were inscribed on the World Heritage List, and despite a statement by the OPW/Department of Environment management team that a “Management Plan” was approved by UNESCO in 2002, in fact no such plan exists as yet. The management team also failed to inform UNESCO of the rebuilding work on the Skelligs before it was commenced, even though UNESCO guidelines state specifically that “specific reports and impact studies” must be submitted “each time exceptional circumstances occur or work is undertaken which may have an effect on the state of conservation of the property.
In addition to being a WHS, the Skellings is a Sanctuary Preservation Area and a Bird Sanctuary, and as such any work carried out there without an Environmental Impact Assessment contravenes the EU Habitats Directive. No explanation has so far been forthcoming from the OPW on how it managed to secure a dispensation from the Directive.
ICOMOS (International Council on Monuments and Sites) have issued a series of charters intended to serve as a guide for restoration work. The “Nara Document on Authenticity” from 1994 states: “Conservation of cultural heritage in all its forms and historical periods is rooted in the values attributed to the heritage. Our ability to understand these values depends, in part, on the degree to which information sources about these values may be understood as credible or truthful. Knowledge and understanding of these sources of information, in relation to original and subsquent characteristics of the cultural heritage, and their meaning, is a requisite basis for assessing all aspects of authenticity.” The Venice Charter (1964) is intended as a guide to the thinking behind restoration work. It states: “Wherever the traditional setting exists, it must be kept… No new construction, demolition or modification which would alter the relations of mass and colour must be allowed… The process of restoration is a highly specialized operation… It must stop at the point where conjecture begins, and in this case moreover any extra work which is indispensible must be distinct from the architectureal composition and must bear a contemporary stamp. The restoration any case must be preceded and followed by an archaeological and historical study of the monument… The valid contributions of all periods to the building of a monument must be respected, since unity of style is not the aim of restoration.”
Despite the contention of the Department of Environment that the works being carried out are “minimal”, photographic evidence demonstrates widespread and systematic rebuilding of stonework in a manner completely at variance with the previously extant remains. Examples of the OPW’s cavalier interpretation of their international obligations are the following: in the main monastic complex, an altar that was in use by pilgrims up to the 1930s has been removed, on the grounds that it was “merely” built by the nineteenth century lighthouse keepers, and a nineteenth century wall was replaced by a new wall on the lines of the original early Christian retaining wall. The management team have referred to the deformation of the upper terrace walls and their reconstruction of the walls “on the original line of the wall being repaired”. This is reconstruction according to a preconceived notion of how the remains should look, not investigation of the existing remains; in other words, anything which does not fit the management team’s ideas of what is “early Christian” is removed, and worse, remains are dismantled and reordered into what the management team have decided they should look like.
This approach to archaeology, the idea that the accumulated layers should be respected rather than being simply stripped away as of no interest to reveal the “original” layer underneath, is based on a deeply flawed and mistaken ideology. Unfortunately, it seems to have attained to the level of a professional craze; in Italy, numerous masterpieces such as Michaelangelo’s Sistine ceiling and Last Supper have been “restored” according to the notions of art historians, with not the slightest appreciation of the importance of preserving the essence of an artwork as a historical fact. The layers of history cannot be stripped back to reveal a supposedly “original” essence; the desire to do this is a desire to deny that history has intervened between the creation of the work and its ultimate reception by the “restorer”, and it is also to deny that the ways in which a work was understood and received through the centuries has any importance to one’s own standpoint. The consequences of this can be immediately and painfully registered: just as the “restorers” of the Sistine ceiling have remade it according to their own limited aesthetic and historical perceptions, and in the process deprived it of much of its value, the OPW have engaged in a programme of dehistoricizing the Skelligs, thus asserting that there is no difference between the remains they reorder and their own understanding of them. In case there should be any dispute as to this understanding, all evidence of the intervening history must be cleared away, the slate wiped clean.
This denial of history, the notion that the accumulated layers of the past can be swiped aside to enable immediate access to the object, achieves the very reverse of what it professes: such an understanding reforms the object in its own image until it sees nothing but its own reflection there. Such an attitude can only be labelled cultural fascism, and it is the ideology that governs the State’s archeological and cultural policy.